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Remembering Raymond Carver

LATE FRAGMENT

And did you get what

you wanted from this life, even so?

I did.

And what did you want?

To call myself beloved, to feel myself

beloved on the earth.

(from the inscription on Raymond Carver’s tombstone)

James Carver recently wrote a very nice piece about love, literature and remembrance that he posted on medium.com called “A Tribute to Raymond Carver on His Birthday, by His Brother James — With Never-Before-Seen Family Photos” to commemorate his late brother’s birthday, which was May 25. His big bro was an American literary giant in his day, author of notable works like Cathedral and the stories “Why Don’t You Dance?” and “Errand.” Although he lived a somewhat scandalous, alcohol-fueled life (on a par with other writers like Hemingway, Kerouac and Fitzgerald at times), he’s regarded as a titan in the field of American literature, as evidenced by his induction in the American Academy and Institute of Arts and Letters in 1988.

For those who’ve read Raymond Carver, the link might not seem so obvious, but he actually had a profound effect on another giant’s writing: Murakami Haruki, author of international bestsellers like The Wind-up Bird Chronicle and A Wild Sheep Chase and, more up Carver’s alley, short story collections like The Elephant Vanishes. Today, there’s even a Japanese professor named Hosea Hirata who teaches a course on the subject and the correlation between the two authors.

For those not in the know, and as his go-to translator Jay Rubin wrote about in Haruki Murakami and the Music of Words, Murakami used to very much enjoy his Suntory time, maybe not as much as Carver liked his booze, but the two connected early in the Japanese writer’s career, when he was just trying to get a foot in the door with the whole translation thing. In fact, as Rubin documents in detail, another American literary great, John Irving, whom Murakami went jogging with in Central Park to earn Garp’s trust (which he did after proclaiming his admiration of Setting Free the Bears – ouch!), represented one more of Murakami’s earliest inroads to the country’s literary establishment.

That said, I like what brother James had to say at the end of his short piece, as it sums up not only his relationship with his brother, but many of our own relationships with a lot of the people whom we love:

“I miss my brother very much. I loved him and respected him enormously…We can’t really get inside the other person’s mind to see how it ticks; we can never know the true feelings one may have for another. We can only be guided by the things said and the feelings shown to us by the other person, and believe it to be true. Ray captured the complexity of those relationships, in love or outside of love.”

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A Linguistic Approach to Elbowgate

Writing for the Globe and Mail, Russell Smith penned a very interesting piece, “The Elbowgate apology and the impact of despised buzzwords,” on the most recent scandal to hit this usually scandal-free country: Lecranonportcullis.

AKA: Elbowgate.

 

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2016 Trillium Book Award Nominees

Here are some exciting facts about the white trillium flower. It’s a genus of perennial flowering plants native to temperate regions of North America and Asia. Excited yet? How about this doozie! It serves as the emblem and official flower of Ontario and is an official symbol of the Government of Ontario. Not fired up yet? Well, the large white trillium is also the official wildflower of Ohio, and because of their shared connection to the trillium, Major League Soccer teams in Toronto and Columbus compete with each other for the Trillium Cup. Wowzers!

Actually, the more exciting fact tied to this very pretty flower is that it’s the symbol of the Trillium Book Award/Prix Trillium. Yes, even our awards can be bilingual in Canada! In any case, nominations were announced yesterday and, I’m pleased to announce, authors from independent publishers dominated the nominee list.

Created in 1987, the Trillium Book Award is the real deal. Winners in both the English and French book categories get $20,000 each (with the publisher receiving $2,500), while winners of the poetry collection award in both languages get $10,000 each (and publishers a cool $2,000).

Congratulations to all the nominees and their respective publishers. Click here to see this year’s English- and French-language book/poetry nominees. Winners will be announced on June 22.

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Grants for Short Film Projects

For all my friends in the film business, check this one out:

Every 4 months, at least one filmmaker will win this production grant of up to $20,000 in production funds. We announce the winner(s) 6 weeks after the final deadline.

 We are accepting applications from around the world (in English). Whether you have a simple screenplay or a short film that’s already in production, we want to consider your short screenplay or in-production short film project.

If your aspirations are solely to become a produced screenwriter, you can rely on ScreenCraft and BondIt to package the winning short film screenplay with a talented director and in-house production resources with up to $20,000 in financing. 

Click here to apply online. Deadline is July 31, 2016.

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Paying Heed to Einstein, Cloaking Your Daggers

Albert E. once said, “The secret to creativity is knowing how to hide your sources.” I think about that quote almost every time someone asks me about my fiction. “I can’t believe you went through what you did!” readers will say after finishing A Father’s Son. “Your dad seemed like a really good person at heart. I’m sorry it ended the way it did.”

“Whoa whoa whoa!” I’ll say. “Hold the teletype machine. It’s a work of fiction.”

“Oh,” the person will reply, like this has unlocked some convoluted mystery for them even though it says “A NOVEL” right below the title on the cover of the book. “So is it based on truth?”

I was reminded of this anecdote recently when doing some background research on one of my favourite books, The Count of Monte Cristo. I think it goes without saying that Alexandre Dumas was one of the great writers of the 19th century and is a formidable presence in the Western canon of literature. However, the Count was essentially a retelling of what happened in real life to Pierre Picaud. Today, nobody remembers who this Pierre fellow was, but most people can tell you they’ve heard of Monte Cristo, either as the page-turning story of revenge or as a fried sandwich.

What was Dumas’ secret? Keeping his secret a secret! Journalists do it every day in the name of “exposing the truth.” Artists have been doing it since the beginning of time. The fact of the matter is this: No person is an island. We’re influenced and impacted by the events that unfold around us. The key to genius – at least artistically – is how to shape these events in such a way that makes them relatable and enjoyable and inspiring.

I think I’ll keep that in mind this morning as I return to my current work in progress and write about events and people that aren’t real, but will hopefully come across as completely believable to the reader.

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Reading Nook Sweeps

For everyone out there who loves authors like Alberto Manguel and books such as The Library at Night, here’s a contest to win a mac daddy library in your own home. Per the contest description:

“Calling all bookworms! This is your chance to win a fully furnished reading nook courtesy of Room & Board and Penguin Random House, complete with chair, end table, floor lamp, and most importantly, bookshelf–plus, a library of books in the genres you love.”

Click here to enter for your chance to have a reading nook built in your home. Contest closes June 8, 2016 and is open only to U.S. residents.

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Ontario Arts Council Writing Grant Deadline Approaching

The Ontario Arts Council has money to grant artists in the fields of crafts, dance, theatre, literature, music and visual & media arts. For established writers, there are grants of $12,000 available for the purpose of subsidizing their living expenses while they complete book-length works of poetry and prose. The next deadline for this program, called Writers’ Works in Progress, is June 15, 2016. The basic guidelines are as follows:

Program for: Individuals

Purpose: To assist professional writers to complete book-length works of literary merit.

Eligibility: Ontario-based professional writers may apply for support for the continuation of new work in poetry or prose.

Graphic novels and other comic arts projects will be received at a separate deadline of December 1, 2016. Please see Writers’ Works in Progress – Comic Arts for the guidelines and application.

Click here to learn more about the grant and download the application. Good luck!

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Toronto Hydro, Highway Robbery & A French Novel

                                         

You might be wondering what these two images have in common. That is a fair and righteous question. Let me explain.

After receiving my latest hydro bill, I nearly went apoplectic (see going postal in your own mind). Although I’ve been extremely conscientious about power usage at peak hours and using my dishwasher only at off-peak hours, my monthly bill seems to continue growing like a beanstalk into outer space. You know. Or something like that.

Yesterday I’d had enough and decided to go sleuthing. I signed into my personal page on the TH website and looked at my power usage for every single month I’ve been living at my current apartment. Sure enough, things didn’t add up. There was some stinky cheese at play in Denmark. When I phoned up the good folks at TH, I got a very pleasant woman who was kind enough to address my questions. She was intelligent, polite and professional. That, however, did nothing to mollify my apoplexy because it turns out my usage is in fact quite low and that I’ve been using most of my energy at off-peak hours. Why the constant bills in the hundreds of dollars, then? The answer is a plot worthy of an Alexandre Dumas novel.

While my cheapest energy usage has been $18 for the month, and my most expensive about $60, my hydro bills are consistently three figures. The discrepancy? Delivery. It actually costs more to deliver the energy than to produce it. How much more? Between 1.5 and 3 times more to get me the stupid stuff than to actually produce it. Curious as to how this delivery charge is broken down, I was told “It’s complicated. It’s broken down into a lot of different things, you know, like, ah, so many things, you know?” When I asked if that info was on the site like my usage stats, the customer service rep. said, “Unfortunately, it’s not.”

To clarify, cut through and capture the essence of what had just happened (in Gordon Gekko’s parlance): Unless you are lighting up a stadium, the delivery charge is always going to outpace the usage cost of your electricity as a residential customer, making it more expensive than any other household fixed cost. How is this possible? At 369.5 TWh, Canada has the world’s second highest annual production of hydroelectricity (after China) and second highest production rate per capita  (after Norway), accounting for more than 61% of our total energy production because, hey, we’ve got a lot of water here.

So what the Frankfurt is going on? It’s almost like Toronto Hydro, Hydro One (the provincial organization taking part in this dog and pony show), and the provincial government represent the villains Mondego, Danglars, and the double-dealing Magistrate, Villefort, respectively, in The Count of Monte Cristo. And we as Ontarians are collectively represented by Edmond Dantès, imprisoned without trial inside the Château d’If.

The question, of course, is when and how we as tax-paying citizens who contribute to the lavish paycheques of these hydro companies’ employees ($1.5 million a year for the outgoing CEO of Hydro One?), wasted resources, and overpriced electricity will exact revenge. The sad truth of the matter was summed up by Queen’s Park columnist Christina Blizzard last June: “Seniors weep when they open their hydro bills. Often they must make a choice between heating their home or buying groceries. And yet we’re paying millions for neighbouring jurisdictions to take excess electricity off our hands? It’s unconscionable — the outcome of a failed Green Energy Act that’s cost this province billions of dollars and hundreds of thousands of jobs.”

 

 

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‘The Vegetarian’ Wins the Man Booker International Prize

It’s official. Han Gang’s The Vegetarian has become the first Korean novel to win the Man Booker International Prize, arguably the most prestigious award for an English literary translation in the world, and worth a cool $72,000, which Han will split with her 28-year-old translator, Deborah Smith.

Congratulations to Ms. Han and Ms. Smith

 

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2016 Inkitt Grand Novel Contest

Have you written a novel but just can’t seem to get it published? Then maybe it’s time to check out Inkitt: The Dynamic Community for Readers and Writers, where you can read and share free handpicked stories for your daily escape.

They’re currently hosting their annual novel contest and you can submit your story to the Grand Novel Contest between March 7 and June 7, 2016. If your novel is named the winner, you’ll get your story published by Inkitt. Check it out today!

 

 

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