To Follow Your Dream or Not?

For all those people who’ve grappled with the question of whether to quit their full-time job (i.e. a steady paycheque) and pursue their dream career (i.e. unsteady income), you might want to read an article in today’s Wall Street Journal. There’s a piece about David Ebershoff, the former Random House editor and executive who quit his posh job two weeks ago to become a full-time writer.

To recap: Mr. Ebershoff quit his position as Random House vice president and executive editor. During his time there, he edited literary giants such as Norman Mailer. He was more recently the American editor for David Mitchell. He also has the distinction of editing several (as in more than two!) Pulitzer Prize-winning books, one of which I really enjoyed about North Korea by Adam Johnson called The Orphan Master’s Son.

So why would someone leave this kind of fame, fortune and respect behind him? Obviously it’s not the stellar royalties authors make these days on physical books. Like Andy Weir, David Ebershoff balanced work (he’s also been teaching writing courses at Columbia and NYU) with his love of writing over the years. At some point, one had to give way to the other. Nobody can balance a full-time job with a writing career and expect to stay sane (or at least moderately engaged socially with other human beings).

I applaud David and his strength/bravery/foolishness/romantic nature to follow his passion. Or, as my friend Maria A. likes to say, Follow your bliss! I’ve gotten to know David a little over the last year or so and he strikes me as a bright, intelligent person who has too many literary-related gifts for one person. I also made this fateful decision in 2004 when I gave up a cush lecturing job at a respectable university to pursue writing as a full-time gig. I know how scary it can be and can only hope that David’s journey is as soul-affirming and eye-opening as my own has proven so far.

Even with his hectic schedule over the last few years, David managed to publish two novels (The 19th Wife and Pasadena) and a collection of short stories (The Rose City). His latest novel, The Danish Girl, has recently been made into a major motion picture. Click here to watch the trailer.

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Thought of the Day: Writer’s Block

I dislike the term “writer’s block.” So does Stephen King. I like this particular quote because it can easily be changed to reflect your day-to-day circumstances: Stopping your life just because it’s hard either emotionally or imaginatively is a bad idea.

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Genre Snobbery

In an interview with David Barr Kirtley, host of the podcast “Geek’s Guide to the Galaxy,” David Mitchell opened up about a few subjects, including – but not limited to – Ursula K. Le Guin, Dungeons & Dragons, Kazuo Ishiguro’s The Buried Giant, and that very crystalline subject otherwise known as “the future.” As always, Mr. Mitchell has some insightful nuggets of barbecue sauce-laden wisdom to pass on, one of which has to do with the idea of literary genrefication.

I think it fair to say that we as people like to classify, organize, break down, label and basically separate anything and everything into smaller and smaller groups. We do it in the humanities, the arts, and the sciences. It’s meant to help us understand and categorize larger units of information and make it more readily accessible, whether as bits of memory or as books at a library.

Yet David Mitchell takes exception to using labels in the literary world to strictly isolate one branch of writing from another. As the author of little-known works such as Cloud Atlas and The Bone Clocks puts it:

It’s convenient to have a science fiction and fantasy section, it’s convenient to have a mainstream literary fiction section, but these should only be guides, they shouldn’t be demarcated territories where one type of reader belongs and another type of reader does not belong…It’s a bizarre act of self-mutilation to say that ‘I don’t get on with science fiction and fantasy, therefore I’m never going to read any. What a shame. All those great books that you’re cutting yourself off from.

So true. Click here to read the full article on wired.com, entitled, “Genre Snobbery Is a ‘Bizarre Act of Self-Mutilation’.”

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Lost in Untranslatability

Many thanks to my friend Michael P. for posting an interesting article from The Independent on one of my favourite subjects, entitled “10 untranslatable words from around the world.” My favourites from the list include the Hindi word viraha (the realization of love through separation), the Indonesian word jayus (a joke so unfunny, you can’t help but laugh…please take note, Mitt Fudgesicle), and the Tamil word oodal (the fake anger lovers display after a fight).

Polyglots – the real cunning linguists of the world – really do have all the fun. As someone who has had the torture-like bliss (is there a word for that in any language? Otherwise please refer to Sexy Mild Genius Girl’s dictionary) of learning Korean for many years, I’d like to add a few more words to the unofficial list of words you should stay away from without flame-retardant attire.

1. (han): Chinese is to Korean much like what Latin and Greek are to modern English. This particular han (there are numerous meanings to the exact same Korean word) is derived from the Chinese character , and is commonly translated as “(deep) suffering.” To understand Korea – and Koreans – you have to live and breathe this word past the literal semantics of it all. Korea is the self-described “shrimp between the whales” (Japan, Russia, China) and the NKOTB who always seems to be attracting trouble (i.e. getting the crap kicked out of it). Whether you’re wondering why so many Korean ballads want to make you slash your wrists, why Korean actors in TV and movie dramas always seem to be on the verge of portending the end of the world, or why one must drink copious amounts of soju and other assorted alcoholic drinks on a regular basis, it all comes down to han. And because you’re not an ethnic Korean who has lived your whole life in Korea, you will never truly understand the concept. Or so I’m told.

2) 왕따 (wang-dda): Interestingly enough, we have the word “bully” in English, but no specific word for “one who is bullied.” Korean is the exact opposite. Usually translated as “outcast,” it’s so much more than that. It’s the loner, the loser, the one not accepted and tormented for being short or fat or unable to eat truckloads of kimchi at one sitting or the loooooooooooooooser from Honam (the southwest provinces of South Korea). Wait, I’m from the southwest of Korea!

3) 촌뜨기 (chon-dde-gi): This is a personal favourite of mine from my Mokpo days, when my buddy Albert L. would often act like a toolbox after imbibing one too many poktanju “bombs.” The dictionary defines it as “hillbilly/yokel/hayseed,” but it’s way cooler/crueller than that. Just ask Albert L.

4) (bap): “Rice” (literally) has to be the most versatile, most wickedest word in the Korean language. Bap is the word you use for cooked rice (as opposed to the numerous other nouns which exist in Korean for rice depending on its stage of growth/function), but it’s also used in myriad phrases that help give life to some awesome phrases, including, but not limited to:

  1. 먹었어?      Did you eat rice?                                 (How are you?/How’s it going?)
  2. 이지!        It’s horse rice!                                     (Of course!/For sure!)
  3. 먹을래?   Ya wanna eat rice with beans?        (You lookin’ to go to jail?)

The lesson here is clear: Languages are cool; not all words can be translated; and there should be a hall of fame for people who can speak Korean.

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Poles Apart by Terry Fallis

Congrats to Terry Fallis, author of the 2008 Stephen Leacock Medal for Humour for The Best Laid Plans, and the news that his fifth novel, Poles Apart, rose to #1 on BookManager’s Canadian Bestsellers List as of November 1, 2015. Good on ya, Terry!

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ScreenCraft’s Short Story & Screenplay Contest

ScreenCraft

ScreenCraft wants you. Assuming you have talent, that is. What is ScreenCraft? Who is ScreenCraft? As per their website:

 

ScreenCraft is dedicated to helping screenwriters and filmmakers succeed. It was founded in 2012 as an independent script development consultancy, servicing independent producers and distributors by evaluating and developing projects for production and acquisition.

They’ve been running several contests revolving around short stories and film/TV/short film scripts for a few years now, with rolling deadlines throughout the year, cash awards, and the chance to meet high-profile bigshots in the industry.

Click here to see the 9 categories you can enter, with the Screenplay Fellowship and Short Story Contest now accepting submissions until December 10 and 19, respectively. Any questions for them, click here.

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Reading Is Good. Period.

To be, or not to be, that is not the question. For bibliophiles today, Hamlet’s famous soliloquy has become:

To read or not to read, that is the question:

Whether ’tis Nobler in mind to suffer

The Slings and Arrows of an ebook,

Or to take Arms in the comfort of a physical book.

For me, the issue has become deeply personal – and vexing. Although the Huffington Post recently offered 11 Simple Reasons The Print Book Naysayers Are Wrong, it’s a little more complicated than that for authors. You see, as someone who earns royalties on the sale of both versions, I get, on average, approximately 10 percent of the list price from online sales and a figure slightly higher from bookstore sales. With the Kindle version of A Father’s Son, I earn 70 percent of the list price. It logically follows that as a writer, you might reasonably expect me to be a champion of ebooks.

Oddly enough, I’m quite the opposite. I’m an ardent supporter of the physical book no matter how cumbersome it may be to lug around and despite the fact that it’s more expensive to purchase. A world without brick-and-mortar bookstores is like a world without laughter emanating from parks and playgrounds; blooming flowers devoid of any fragrance; Band of Brothers minus Damian Lewis, damn it!

In any event, the long of the bottom line of the short is that reading in any medium is a good thing. Period. Bar none. End of conversation. Book clubs are way sexy. A History of Reading is a fantastic book. Chewing the fat about one’s favourite novels and all-time best characters is a good, good time.

That being said, should you wish to buy the ebook version of my novel, I will NOT – in way, shape or form – hold it against you. Ever. Period.

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100 Tips to Make You a Better Writer + CBC Short Story Contest

CBC has some advice to offer you. Actually, 100 people have some suggestions on how to be a better writer through a very cool, very engaging “word cloud.”

As the CBC’s Books page states:

Over the last two years, Canada Writes has collected a whole bunch of wonderful writing tips from Canadian poets, novelists, practitioners of creative nonfiction, and writers of children’s books. So pick a word, find a tip, and try it out!

Click here to check out the innovative new tool and get readin’ (then writin’)!

Plus, for all aspiring and established writers out there, don’t forget to enter the 2016 CBC Short Story Contest in any or all of the following three categories: fiction (1,200-1,500 words), creative nonfiction (1,200-1,500 words) and/or poetry (400-600 words; in verse of prose). You can submit as many entires as you like online ($25 per submission), but the deadline is 11:59 p.m. EST on Sunday, November 1, 2015.

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Canada Reads 2015: The Political Edition

 

My good friend and fellow non-curler extraordinaire Karen S. posted a thought-provoking article/diagram from The New York Times that matched current political candidates for the White House with the book which best represents them. Never one to shy away from having fun with books, I thought I’d take up her non-verbalized challenge to do the same with our most recent federal candidates for PM.  (I would have said “political candidates for 24 Sussex Drive,” but it’s now our country’s unofficial ghost house for Halloween.)

So, without further ado, I bring you Canada Reads 2015: The Political Edition.

(In pictorial order)

Stephen Harper: The Prince (Niccolò Machiavelli) meets How to Fail: The Self-Hurt Guide (Aaron Goldfarb)

Tom Mulcair: King, Warrior, Magician, Lover: Rediscovering the Archetypes of the Mature Masculine (Robert Moore & Douglas Gillette) meets Manifesting Change: It Couldn’t Be Easier (Mike Dooley)

Justin Trudeau: Dude, Where’s My Country? (Michael Moore) meets The Hitchhiker’s Guide to the Galaxy (Douglas Adams)

[Honourable mention to Budding Prospects: A Pastoral by T. Coraghessan Boyle and The Men’s Hair Book: A Male’s Guide To Hair Care, Hair Styles, Hair Grooming, Hair Products and Rocking It All Without The Baloney by Rogelio Samson]

Gilles Duceppe: What Looks Like Crazy On an Ordinary Day (Pearl Cleage) meets Why Won’t They Listen To Me? (Dr. Janet Lapp)

Elizabeth May: The Fate of Nature: Rediscovering Our Ability to Rescue the Earth (Charles Wohlforth) meets Lioness Arising: Wake Up and Change Your World (Lisa Bevere)

 

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When One Is Enough (Not Eight)

Bueller? Bueller? Frye? Frye? (Ed. Note: Was I the only person to say WTF in that scene when, in a big public high school class, there were exactly zero students with a last name between BU and FR?)

In a recent article on the good ol’ Onion’s website, they definitely touched a nerve in yours truly with “Author Promoting Book Gives It Her All,” which made me laugh and cry in turns. It may have been a piece of satirical writing, but it hit a little too close to home for many of us bums from the slums who call the trenches of literary warfare home. Or, for that matter, anyone who has given a speech or delivered a lecture to a public audience, only to find that if friends and family don’t qualify as “public” then you have exactly no guests at your event.

Ouch!

For me, I’ll never forget my first book signing in the spring of 2003, an event in which 20-25 of my closest friends and enemies showed up, some with blank cheques, others with dazzling stilettos – and not on their feet. At the end of the evening, a friend who’d been (wo)manning the book sale desk came up to me and said, rather sheepishly, “You sold seven copies of your book tonight. I’m really, really sorry.”

I was able to do the math quite quickly because I am a math rock/superstar (if 20 people were to buy one copy each, then I would have sold how many books?) and then came to the conclusion that my frienemies were inherently evil people.

Or maybe not. Maybe it’s just the nature of the beast. Maybe it’s okay when your worst book signing event is the one in which your closest friends attend. Perhaps it’s fine when nobody but former students show up to your public speaking engagement. And possibly – very possibly – the one in “one is enough” is sufficient when that person is you, you love what you do, and you’re not doing it for any other reason than the purpose at hand. Not for greed or revenge or fame or to score that wicked hot babe sitting in the front row and who is most certainly bedazzled with your good looks, panache and your excellent sense of style, as evidenced by the top-tier palazzo wide-leg rayon gaucho capri pants you’re wearing.

Nope.

You’re doing the event because you believe in yourself, and if those chairs remain empty, screw ’em all. You’re a mobile party of one, not five, and you don’t need no one to make you feel good ’bout what you’re doing. No way, Jose. You don’t even need  a hug to feel better.

‘Cause you got your mom for that when you return home to the basement apartment you rent out from her.

 

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