Tag Archives: freedom

The Power of Invisible

Image result for shadow drawings

In a powerful piece for The New York Times, noted writer and essayist Roger Rosenblatt recently penned a piece titled “The Invisible Forces That Make Writing Work.” Although ostensibly about the non-visible forces that shape writing, the overarching theme is one that transcends the craft and whose lessons can be applied to our everyday lives.

That’s why, I suppose, Mr. Rosenblatt begins his piece for the Book Review section by quoting @kathrynschulz:

“[W]e cannot see most of the things that rule our lives. Magnetic fields, electric currents, the force of gravity all work unseen, as do our interior arbiters of thoughts, inclinations, passions, psyches, tastes, moods, morals, and — if one believes in them — souls. The invisible world governs the visible like a hidden nation-state.”

As Mr. Rosenblatt goes on to point out, good fiction mirrors life in that there are signs that pop up at every step of our lives; often it is only in hindsight that we as readers (and human beings) pick up on this and make sense of these clues. And just as nature is defined by change, so too is writing an organic process.

Roger Rosenblatt specifically refers to Fitzgerald’s The Great Gatsby, but I think many readers would be surprised how much even character names (let alone their relationships and personal growth arcs) change through the draft process. The same is also true of us as humans. We have an idea where we want to be in, say, a year, yet along the way there are so many competing forces at play that it’s inevitable we will end up somewhere else – and as someone else.

I think that’s part of the reason an author like Jonathan Franzen is so popular today. His stories aren’t particularly complex or radical in their approach. Still, Franzen manages to capture the complexities of personal growth and interpersonal relationships, especially in a book like Freedom.

Mr. Rosenblatt ends his own piece for the NYT by describing how he resurrects the invisible through his own writing, and it’s a poignant message:

“I am not unaware that my writing has improved in the nine years since our daughter’s death. My work is sharper now, and more careful. Happily would I trade all the books I’ve written in those nine years for one moment with Amy alive, but since that bargain is impossible, I write to fill the void her death created. And something else: Since I believe it was Amy’s death that led me to write more seriously, she lives with me invisible. I write to see her.”


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Consciously Uncoupling & Jonathan Franzen

Are you married? Do you have a child/children? Do you find yourself staying with your partner mostly (or completely) because of the kids?

The New York Times ran a thought-provoking article a few months ago that I recently came across. The piece by Cole Kazdin, titled “The Original Conscious Uncouplers,” is the story of two parents who stay together for the sake of the kids. Theirs is a relationship devoid of affection or romance, but replete with love and kindness for their offspring. When the kids are deemed old enough to handle the news, the parents announce they are getting divorced, and what was once a seemingly perfect family where nobody fought or raised their voice quickly becomes a war zone, one in which the mother and father can’t even stand being in the same room together.

I know I’m not alone when I say I can relate to this scenario all too well. For me, fewer things represent (and stain) my generation than divorced parents (twice over in my case), some of whom consciously uncoupled, some of whom just went to blows while the ink was still drying on the marriage license.

In literature, it’s easy to find extreme relationships written about very well. Whether it’s the epic love story of books like The Map of Love or The Count of Monte Cristo, or the doomed love of books like Anna Karenina and Madame Bovary, it’s harder to find novels that explore marriage from the ground level, so to speak, a more realistic approach.

Reading this NYT article reminded me of Jonathan Franzen’s Freedom. The Corrections may have been his coming-out party – and a good book in its own right – but it was Freedom that earned Franzen a place among the pantheon of great American writers. And for good reason. Although it could very well have been 100 pages shorter, it’s one of the most realistic fictional accounts of family life in middle America I’ve ever read. In some ways, Franzen has carried the torch forward from Updike’s “Rabbit” series, which chronicled everyday life, including marriage, in a compelling and believable way like few others.

Fortunately, Cole Kazdin’s article has a happy ending after a tumultuous relationship finally rights itself, one in which love and kindness win out. I guess sometimes there really is a silver lining in real life.

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