Tag Archives: Life and Fate (novel)

Quote of the Day

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“But what is certain is that in five, ten or twenty years, this problem unique to our time, according to him, will no longer exist, it will be replaced by others…Yet this music, the sound of this rain on the windows, the great mournful creaking of the cedar tree in the garden outside, this moment, so tender, so strange in the middle of war, this will never change, not this, this is forever.”

Irène NémirovskySuite française

“The French Suite” is a special book for a few reasons. To begin, Irène Némirovsky wrote a beautiful story set in France during the Second World War. Second, her prose is eloquent, as can be evidenced from the above QOTD. Third, we’ll never know the “real” ending, as Némirovsky only completed two of the five stories planned for this novel before she was rounded up by the Nazis and sent to Auschwitz, where she was murdered. Fourth, by some miracle of you know who, “The notebook containing the two novels was preserved by her daughters but not examined until 1998. They were published in a single volume entitled Suite française in 2004.

I wrote about another brilliant work that survived a totalitarian regime through samizdat, The Master and Margarita, but there’s yet another book I read that somehow squeaked out from under intolerant noses, Life and Fate by Vasily Grossman. Per the Wiki entry on the book:

Life and Fate, the sequel to For a Just Cause, was written in the aftermath of Stalin’s death. Grossman submitted it around October 1960 for potential publication to the Znamya magazine. At this point, the KGB raided his apartment. The manuscripts, carbon copies and notebooks, as well as the typists’ copies and even the typewriter ribbons were seized.

In 1974, a friend and a prominent poet Semyon Lipkin got one of the surviving copies put onto microfilm and smuggled it out of the country with the help of satirical writer Vladimir Voinovich and nuclear scientist Andrei Sakharov. Grossman died in 1964, never having seen his book published, which did not happen in the West until 1980.

It would seem that in these cases there is much truth to the idiom The pen is mightier than the sword.


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The Master and Margarita: The Movie

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The Master and Margarita may soon be coming to a theatre near you. This is exciting news. Not only is Bulgakov’s magnum opus one of the finest pieces of literature/satire from the 20th century, but it’s one of my all-time favourite novels. The former point is relevant; the latter is obviously really, really relevant.

Apparently, Svetlana Migunova-Dali and Grace Loh have optioned the rights to produce Mikhail Bulgakov’s classic 1966 novel about the devil (who doubles as a “professor” and a “magician”) in Stalin’s Soviet Union, a talking cat, Pontius Pilate and Jesus.

Actually, it’s a miracle we have this book with us today. Bulgakov started the novel in 1928, burned the first draft in 1930, and by the time he finished a complete draft in 1936, he knew the government would become the same devil in his own work if he tried to publish it. Then, in 1940, so very near the end of a final version, Bulgakov died. Like Vasily Grossman’s Life and Fate, which also has an epic story behind how the manuscript survived and was ultimately published, it would take decades for The Master and Margarita to reach an outside readership.

This truly is the most uplifting news out of the literary-film world in a long, long time. Is it just me, or do theatres here in North America seem to be dominated by one of three types of movies these days: (1) Sci-Fi/Space/Fantasy (2) Animation (3) Cheesy adaptations of fondue-laden books that are vapid in substance and put the “less” in plotless? (Think of anything from the Twilight series to 50 Shades of Yada Yada Yada.)

In relation to this grrrreat! news about Bulgakov’s baby, Emily Temple (@knownemily) has written a thought-provoking piece for Literary Hub (@lithub) called “Who Should Star in the New Movie Version of The Master and Margarita? It’s Not Easy to Find a Charasmatic Giant Talking Cat.” In Ms. Temple’s post, she has cast a wide net on notable actors, including Adrien Brody, Sacha Baron Cohen, Janelle Monae, Mark Strong and Tom Hardy.

For all our sakes, let’s hope this optioning of the film rights doesn’t end up on the cutting room floor and that we can look forward to a movie version that does justice  to this timeless novel.

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